Revision and the Internal Editor
Writing, Movie Reviews No Comments »Hit 31k on the new book. I should be about halfway done, but it’s hard to tell. When I hit revision time, I think 25k will be about halfway. I habitually write a ton more than I really need. Darn exposition. I’m trying to learn how to dramatize more and tell less.
It’s feeling pretty good so far. I’m excited to go back through and revise it and add more structure to the story, but being able to make stuff up on the spot is really the way to go sometimes. The characters, especially the side characters, are so much more interesting when I create them as they’re needed. I’ve had to rewrite a few times, however, when I didn’t like the first side character I placed in a certain spot. The second time at it, the characters turned out really fun.
There are some interesting things I’ve had to do due to the fact that I had no outline to speak of when I began this book at the beginning of the month.
For example, I’ve cut a lot of stuff already when I notice that I’m straying from the preconceived story in my head.
I think being able to reign the story in a bit has come from the experience I had writing Nethermore, which was written mostly without an outline and wound up being a train wreck because I added every little deviation and tried to make each one make sense within the plot, which royally messed up character and pacing.
So, I have a little bit better idea now when I’m straying too far. The little deviations can be left and dealt with in revisions. The big deviations would muddy up the whole recipe and cause huge swathes of rewriting. Here’s to hoping I’ve learned my lesson on that and can move toward a more coherent first draft.
There a lot of days where I feel like what I’m writing is utter drivel, and I have to keep telling myself that I can fix things after the fact. A sculptor has to have material to sculpt from. Right now, I’m creating that material: the base, the underpainting, whatever you want to call it. Sculpting—revisions—will come later.
If I fixed everything as I went, it would be like painting a painting to completion in 1 inch by 1 inch squares, including all the nitpicky details and without having drawn the thing beforehand. It might be an interesting exercise but the fact remains that the painting’s still going to look weird when it’s done. (Which, again, is what happened with Nethermore.)
My friend Shawn asked me the other day if revision is something “pretty darn essential to being a writer.”
I’m afraid it’s pretty darn essential. Unless you’re .01% of the writing population. And it may not be so much rewriting everything, but a combination of rewriting and revising. But sentences are deleted, some are added or changed to create better clarity, scenes are added or deleted to make the story fill out better, etc.
Rewriting used to scare me to death! Until I started looking at novels as sculptures and saw in my writing group that all the published writers are not only good writers but also good REwriters.
In other news, I went to the midnight showing for Twilight with my wife and a group of family and friends. My review: it was a faithful adaptation of the book. Best part of the movie: insertion of music by Muse: Supermassive Black Hole. Best part of the night: seeing my wife get very excited to see the movie.