Yesterday I was the victim of a pernicious trick. I went upstairs to correlate with another coworker, when my next-door coworkers decided to change the wallpaper on my computer monitors.
There, tiled across two monitors in all its glory, were twenty posters of Turner and Hooch. Pretty funny joke. And not in bad taste. At least it was Turner and Hooch and not something like
But then we got to talking. Turner and Hooch is the prototype plot for everything written in Hollywood.
I mean, let’s examine the plot.
Man meets dog. Man hates dog. Dog saves man’s life. Man loves dog.
Every popular actor in the Eighties did a movie like that. Even James Belushi did K-9.
“Didn’t Mel Gibson do one too?” asked one coworker.
Yeah, he did Lethal Weapon.
Cop meets new partner. Cop hates new partner. New partner saves cop’s life. Cop loves new partner.
Not to mention that Schwarzenegger starred in Kindergarten Cop and Last Action Hero. Same plots, just substitute the word “kid” for “man” or “dog.”
This is also the plot of most Hollywood love stories. Take While You Were Sleeping, for example.
Girl meets boy. Girl hates boy. Boy saves girls life (figuratively). Girl loves boy.
No wonder Hollywood has gone downhill lately. Why am I not applying these secrets to Nethermore? I’d better get started.
(Have you noticed that the progress bar is moving lately? I’m writing again!)